I’ve run across a number of remarks calling for ‘aliveness’ in martial arts training. People seem to throw the term around casually as if everybody agrees on what “aliveness” means. After some additional reading and reflection I believe we are lacking an accurate definition of the term. It is extremely important that our terms are clear to avoid misunderstanding and sloppy thinking.
I believe that ‘aliveness’ must refer to a techniques efficacy in a given context. In my thinking context is everything. In one context a simple pop to the solar plexus will be all one needs. In another context it will take every fiber of your being, every ounce of energy and every technique you know just to stay alive. In yet another context the problem is solved by leaving the area and going someplace safe.
In one instance a palm extended toward a potential attacker followed by the word “Stop!” said loudly enough for everyone to hear will work perfectly; in that context the technique is ‘alive. Try the same technique in another context and it is dead … and you’re injured or worse. Therefore ‘aliveness’ is determined by context.
Some who are calling for‘aliveness’ seem to suggest that any technique that will not work against an all out attack – such as a bull rushing,machete wielding, berserker ninja – is DEAD technique. Yet in actual situations I’ve used very subtle techniques like finger locks, goose necks or the word “Don’t!” to put my– would be – attacker at a serious disadvantage … enough to dissuade them from continuing. I’ve actually grabbed some by one of the nerve bundles under the arm with enough force to induce pain compliance. They weren’t happy, but they stopped. The technique didn’t feel very dead to me OR my opponent.
I’ve also noticed and intriguing tactic when discussing ‘alive’ and ‘dead’ techniques. Often the person complaining about the technique will change the scenario in order to ‘prove’ the techniques ineffectiveness. I’ve actually had someone tell me that a finger lock would not work because if the attacker’s intent was to cause real harm a simple finger lock wouldn’t stop him. My answer was; true enough, but finger pointing is not the ballistic portion of an assault. Finger pointing is a precursor to an assault, an intimidation tactic; and the perfect time to take pre-emptive action. Secondly, if the attacker wanted to do me real harm, that’s what he’d be doing; then my choice of technique would change. Changing the scenario to ‘prove’ a technique won’t work is false reasoning. It’s a straw man. Once the scenario changes … the technique MUST change, it’s as simple as that.
Assault statistics tell us that even the implied use of force is enough to give some attackers second thoughts. OK … class, please take out the study from
So, what’s the deal? People keep saying we have to have a clear understanding of how the world really is;all the while throwing scenarios at us that almost NEVER occur. I understand ‘worst case scenario’ training and encourage it … how about some ‘most likely case scenario’ training? How about an escalating use of force continuum? That’s what we teach our students.
Following WWII many
The American servicemen followed their master’s orders to the letter. But what these dedicated American karate-ka (karate students) didn’t know is they had been taught an incomplete and therefore, inferior form of karate…the form taught only to beginners or school children.
The Japanese weren’t about to give away a significant portion of their national identity to the enemy. Some of the systems were family treasures passed only within the family group and guarded carefully. No one in their right mind would give something that valuable to the enemy.
But American servicemen would pay good money to be taught karate. So, many instructors taught kids’ karate to servicemen who had no way of knowing better.
Protecting the ‘family’ treasure from outsiders was operative in
Beyond protecting family treasures is the problem that some teachers didn’t teach the complete art because they didn’t know the complete art. They had stopped their personal training and truncated their knowledge base. They couldn’t pass on what they didn’t know.
This was exacerbated in
But that’s not all. Quite a number of sensei purposely taught flawed technique that would make the student who attempted to employ it vulnerable. This may have been done to protect the system from outsiders or to protect the instructor’s aura of invincibility (ego).
When the American karate-ka brought these traditional arts to the
Sometime in the last 20 or30 years, a change began because the wisdom of the martial arts was being lost. Some of the old masters in
These techniques contain the keys to unlock the systems and bring martial arts around the world into the new millennium. The master key is classical thought. In classical thought a technique must function, it’s that simple. If it does not work we must ensure we have performed it correctly. If the technique then works we add it to our knowledge base. If it does not work we discard it and continue searching for a technique that will work.
Functional techniques are readily available in book, video and seminar form, thoughtful study and reason should be employed as guides. Sharing and comparing techniques with martial artists outside one’s own school or system will lead to additional insights and growth. Our minds must be open to seeing new possibilities in ancient arts.
This isn’t as easy as it sounds. Challenging long held beliefs and traditions will put many on the defensive. People have a difficult time changing the structure of their thinking. It’s jarring and upsetting in some cases. Some egos will be bruised in the process. But a bruised ego isn’t the worst fate a martial artist can suffer. The worst fate for a martial artist is to be found irrelevant.
The benefit of ‘Classical Martial Thought’ is functional martial arts systems that bring students to a deeper understanding of their art, themselves and their place in the universe. We have been given an opportunity and a choice. We can hold onto the traditional, incomplete systems taught since WWII or we can step back and allow the historical, functional, classical arts to inform and influence our practice and technique. By stepping back we can move boldly into the future.
In closing, a poem;
Attend life within
Free the mind, accept the truth
Attend life without